Tag Archives: jason schwartzman

Robert Schwartzman: Double Capricorn

Robert Schwartzman’s debut solo album Double Capricorn came out yesterday.

Watch a video interview about the album at The Hollywood Reporter here, and read the interview that After The Show did with Robert before the release of Rooney’s last album, Eureka.

After The Show: What’s your favorite lyric from the new album Eureka?

RS: “It’s the same old story, the same old movie, but when you’re with me it’s a masterpiece.”  It’s from the song Only Friend.

After The Show: How did the band choose “I Don’t Wanna Lose You” as the first song to share with the world?

RS: It was the first song we recorded for the album and it’s the one we tried with a few different producers.  It has our sound and has something new…represents the album in a good way.

After The Show: What is the hardest part about transitioning from a 5 piece to a 4 piece band?

RS: Well, we tried the 4 piece setup for a few rehearsals, but it didn’t feel right.  I like playing guitar in Rooney and it’s been my thing for the last 8 years in the band.  We have a bass player with us…names Brandon Quinn…awesome guy and terrific musician.  It’s great to have a new energy in the mix.

After The Show: Matt [Rooney's former bassist] called Eureka the “best record we ever made” in his farewell note. Assuming you agree, what makes Eureka even better than your previous albums?

RS: It has the strongest songs and it sounds the best.  It’s a good representation of who we are and what we’re made of.  The playing is really good from everyone and it just feels the closest to home.  We made it on our own, produced and engineered, which wasn’t the easiest thing for us, so it feels like a big accomplishment.

After The Show: How have the songwriting duties been shared among the band on previous albums, and how were they shared while writing Eureka?

RS: I’ve written everything for the band so far.  Eureka has two songs that I didn’t write…Into The Blue, by Louie Stephens and The Hunch by Ned Brower and Taylor Locke.  We started Rooney with my songs and it’s just been our thing…shaped our sound. The other guys are working more on writing and wanting to contribute, so this was there first chance to put music on a Rooney album.

After The Show: What is your song “Suckceed” about?

RS: It’s about some of the characters at our old label.  Some of the things I witnessed or felt while working with them.  How people pass the blame and how people do whatever it takes to make it…keep your job.

After The Show: What do you see as the role of collaboration in Rooney’s future? What about collaborating with other artists (Ben Lee, Jonas Brothers) in your own SoloBob music?

RS: I like collaborating and I’m loving the more and more I do it.  Perhaps there will be some other artists featured on Solobob. As long as it makes sense for the music.

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Scott Pilgrim Vs. The World

Go and see the movie Scott Pilgrim Vs. The World. It came out yesterday, and Tennessee Thomas (drummer of The Like) and Jason Schwartzman (Coconut Records, former drummer of Phantom Planet and Ben Lee) are in the film.Tennessee appears briefly in the middle of the film as Lynette Guycott, the drummer of a rival band and Jason plays the evil Gideon Graves towards the end of the film.

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Friday’s Songs of the Week

This Friday, After The Show picked 2 songs for Songs of the Week.

1. “Slayer” by Giant Drag:

Giant Drag — Annie Hardy and Micah Calabrese — released their debut album Hearts and Unicorns in 2005, and they’re currently working on releasing their second album.

2. “The Summer” by Coconut Records:

Coconut Records is Jason Schwartzman — actor, former drummer of Phantom Planet, and brother of Rooney’s Robert Schwartzman.”The Summer” is from his sophomore album Davy.

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Blast From The Past: Phantom Planet

Blast From the Past

For any Phantom Planet fans, here’s a blast from the past — 10 years, to be specific. This video, shot in 1999, features the song “In Our Darkest Hour.”

This version is slightly different from the one that appears on 2002′s The Guest — the tempo is a little slower and some lyrics are different. Look out for PP’s old drummer, Jason Schwartzman.

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